I have said a few words to you on a number of occasions, about the importance of studying hymns and the proper selection of hymns to suit occasions. Sometimes an improper selection of a hymn leads to very deplorable results. I was informed of one instance in which, on a funeral occasion, the selection of the hymns was left to the young man who led the singing. He selected one that started right, but just as the pallbearers started off with the corpse they sang, "Believing we rejoice to see the curse removed." That service ended with more tittering than tears.

      In order that you may make appropriate selections you must know your hymn book--not only the first stanza of every hymn that is worth singing, but the whole of it. You must know all those that are worth singing if you would make your selections wisely. The elements of a good hymn may be stated thus:

      First, and most important of all, its sentiments must be scriptural. There is a hymn in one of our church hymnals which has been sung a great deal, the second stanza of which confidently looks forward to the time when that old boatman familiar in Greek mythology who used to row people across the river Styx, will safely row the Christian across the river of death. Now that is heathenish, but it is in a Christian hymn book. First, then, let me say again, and emphasize it, See to it that the sentiments of every hymn you select to sing in the church are scriptural.

      Second, a good hymn is good poetry. Those of you who have gone pretty well along in the course of English, ought to know what good poetry is. You have been taught what it is. But it will require on your part a good deal of thought and study in addition to what you get from your professor, in order to give you that fine taste which will enable you to see the fine elements of poetry in a hymn. I do not think that there is one of the hymns that have become permanently popular that is not good poetry. Not only is good poetry essential, but there is a sentiment among uncultivated people that demands it. Some hymns acquire [33] popularity and usefulness for a short time by means of the fine music set to them, even though they are only a jingle of rhymes: but they soon pass away.

      When, then a hymn is found to contain scripture sentiment and good poetry, in order to be effective as a hymn it must be sung to appropriate music, music that expresses finely the sentiments of the hymn. Now no man can be successful in the selection of hymns to suit occasions from day to day and from week to week, who does not devote a great deal of attention and careful study to hymns. There are hymns which, instead of being good poetry, are nothing but lines of prose with a rhyme at the end of them, and not always good rhyme at that. I will read you a couple of instances of this kind. Number 526 in our hymnal: the second stanza: "Thrice blest is he to whom is given the instinct that can tell That God is on the field, when He is most invisi-" - - bell, it ought to be. If it be true as was said a long time ago by some wise man and repeated again and again by others, that, if you will allow a man of good judgement to select the songs of a people, he may care very little who makes their laws, then it can not be a matter of minor importance to select wisely the songs of the church. There are a great many people, and especially children, who obtain their religious sentiments more from the hymns they are taught to sing than from the Scripture which they read or hear from the pulpit. And when sentiments are thus formed, whether just right or just wrong, it is almost impossible in later years to eradicate them. This is another indication of the importance of the careful study of hymns.

      I have said that those hymns which have been long popular, and have had strong hold upon the minds and hearts of the people, have, all of them, been characterized by those qualities of a good hymn which I have mentioned. For example, that one which Matthew Arnold pronounces the finest hymn in the English language:

      I do not know that Matthew Arnold was correct in thinking that the finest hymn in the English language, but certainly it has in it all the elements of a good hymn.

      Take as another example that old hymn that should have made the name of its author immortal. Mrs. Julia Ward Howe, who died a few days ago, made her name famous by the composition of one song that has attained the name of The Battle Hymn of the Republic. We have a battle hymn.

      You all know the rest of it. Then there is another hymn, not sung so often, but equally fine, which might be called the Christian's call to arms.

      Such hymns as these two arouse all the energy and courage that is in the soul of a man who loves the Lord.

      Then, we have our marching hymns; not one, but many; especially that one which we sing so often in this chapel:

      That hymn is a fine piece of poetry and it is sung to the music of a very fine march. I wonder that some composer has not taken it in hand and made of it a grand march for a brass band. I think it would be a good thing right now for us to rise and sing it.

      But there are times that come over the disciples of Christ quite different from these indicated in these exulting stanzas. They are times of gloom and tears, when we need the tenderest words of divine sympathy. Our hymn writers have not left us without comfort in times like these. What is more consoling than the lines in which we sing our Lord's own invitation to the weary and heavy laden, beginning with the stanza,

      We love to sing of our final triumph over death and the grave, and some of our best hymns are devoted to this inspiring theme. I wish we could bring back into general use that inimitable composition in which the resurrection of our Lord and our own resurrection are so beautifully and triumphantly set forth that it should hold a place, as it once did, in every hymn book:

      (Is there anything more beautiful than this?)

[CT 33-38]